Selected Bibliography

Olitsky, Jules.  "Eve In The Garden Of Art", Arts And Activities, Oct. 1955 pp 36-38,47-49

Cambel, Lawrence.  "Jules Olitski", Art News, vol. 58, May, 1959, p. 50

Preston, Stuart.  "Three Generations of Moderns", New York Times, May  24, 1959, p. 17

Tillim, Sidney.  "Jules Olitski", Arts Magazine, vol. 33, June, 1959, p. 56

Canaday, John.  "International Exhibition Opens in Pittsburgh", New York Times, Oct. 27, 1961, p. 66

Greenberg, Clement.  Introduction to "Three New American Painters: Louis, Noland, Olitski",   (Catalogue) Regina, Canada, Norman Mackenzie Art Gallery. Reprinted
           in Canadian Art,  vol. 20, May, 1963, pp. 172-175

Hudson, Andrew.  "Art", The Nor'wester, Saskatoon Review, Aug. 5, 1963

Hudson, Andrew.  "On Looking at the New Paintings", Regina Saskatoon Review, Aug. 5, 1963

Rose, Barbara.  "New York Letter", Art International, vol. 7, April, 1964, pp. 57-58

Fried, Michael.  "New York Letter", Art International, vol. 8, May, 1964, pp. 40-42

Greenberg, Clement. Introduction to "Post Painterly Abstraction", (Catalogue),  Los Angeles

County Museum of Art. Reprinted in Art International, vol. 8, Summer, 1964

Fried, Michael.  Introduction to "Three American Painters: Noland, Olitski, and Stella",  (Catalogue) Cambridge, Ma., Fogg Art Museum, April, 1965

Fried, Michael.  "Jules Olitski's New Paintings Artforum, vol. 4  Nov., 1965 pp. 36-40

Hudson, Andrew.  "Viewpoint on Art, Washington Post, Cot. 1965, p. G-7

Kozloff, Max.  "Frankenthaler and Olitski", The Nation, vol. 200, April, 1965, pp. 374-376

Solomon, Alan.  "American Art Between Two Biennials", Metro II, Spring, 1965

Lippard, Lucy.  "New York Letter", Art International, vol. 9 May, 1965,  p. 55

Lynton, Norber.  "London Letter", Art International, vol. 9 Sept., 1965, p. 50

Rose, Barbara.  "The Second Generation:  Academy and Breakthrough", Artforum, vol. 4,  September, 1965, pp. 53-62

Fried, Michael.  "Jules Olitski's New Paintings", Artforum, vol. 4, November, 1965, pp. 35-40

Geldzahler, Henry. "Frankenthaler, Kelly, Liechtenstein, Olitski:  A Preview of the American Selections at the 1966 Venice Biennale", Artforum, vol. 5, June, 1966, 
     pp. 32-38

Greenberg, Clement.  "Jules Olitski", In XXXIII International Biennial Exhibition of Art, Venice, 1966

Hudson, Andrew.  "New York Show Reveal Artists on the Rise and in Decline", Washington Post,  Nov. 6, 1966, p. G-9

Hudson, Andrew.  "Biennial Begins Season-At last", Washington Post, Dec. 4, 1966, p. G-1

Kramer, Hilton. "Art: (Jules Olitski)" New York Times, Nov. 5, 1966, p. 26

Lippard, Lucy.  "New York Letter", Art International, vol. 10 Jan. 1966, pp. 90-91

Lord, Barry J. Introduction to "Frankenthaler, Noland, Olitski', (Catalogue)  St. John, New Brunswick Museum, 1966

Meadmore, Clement.  "New York Scene II:  Color as an Idiom", Art and Australia, vol. 3,  March, 1966, pp. 288-291

Mellow, James R.  "New York Letter", Art International, vol. 10, Dec., 1966, pp. 61-64

Millen, Ronald.  "Fun and Games in Venice", Art and Australia, vol. 4, Nov., 1966, pp. 63-64

Noland, Cornelia.  "The  1966 Venice Biennale", The Washingtonian, vol. 2, Nov., 1966, p. 41

Olitski, Jules.  "Painting in Color", In XXXIII International Biennial Exhibition of Art, Venice, 1966

Scott, David.  "America's Role in the Biennale", The Art Gallery, vol. 9, June, 1966, p. 10

Solomon, Alan.  "American Art Between Two Biennials", Metro II, Spring, 1965

Solomon, Alan.  "The Green Mountain Boys", Vogue, vol. 148, Aug. 1966, pp 104-109, 151-152

Volpi, Marisa.  "Qui U.S.A. Biennale in Anteprima",La Fiera Letteraria, June, 1966

Baro, Gene.  "Washington and Detroit", Studio International, vol. 174, July-Aug. 1966, pp. 49--51

Fried, Michael.  "Olitski and Shape", Artforum, vol. 5, Jan., 1967, pp. 20-21

Olitski, Jules.  "Painting in Color", Artforum, vol. 5, Jan., 1967, p. 20

Kramer, Hilton.  "Art Corcoran Prizes No surprises", The New York Times, Feb. 24, 1967, p. 32

Hudson, Andrew.  "Biennial is a Four Star Show", Washington Post, March 5, 1967, p. F-8

Hudson, Andrew.  "A Painter Breaks New Ground", Washington Post, April 9, 1967, p. H-8

Hudson, Andrew.  "Washington:  An American Salon of '1967", Art International, vol. 9,  April, 1967, pp. 73-79

Hudson, Andrew.  "Shows are Rich in Comparison", Washington Post, May, 1967, p. H-8

Champa, Kermit.  "Olitski:  Nothing but Color", Art News, vol. 66, May, 1967, pp. 36-38. 74-76

Rosenberg, Harold.  "The Art World", The New Yorker, vol. 43, August, 26, 1967, pp. 90, 93-97

Fried, Michael.  "Art and Objecthood", Artforum, vol. 5, Summer, 1967, pp. 12-23

Feldman, Anita.  "In the Museums:  Large Scale American Paintings", Arts Magazine, vol. 42,  Sept.-Oct., 1967, p. 52

Tillim, Sidney.  "Scale and the Future of Modernism", Artforum, vol. 6,  Oct. 1967, pp. 14-18

Von Meir, Kurt.  "Los Angeles", Art International, vol. 11, Oct., 1967, pp. 57-59

Rose, Barbara.  "Abstract Illusionism", Artforum, vol. 6, Nov. 1967, pp. 33-37

Rose, Barbara.  "Washington Scene", Artforum, vol. 7 Nov., 1967, pp. 56-57

McQuillan, Melissa.  "New York Reviews", Harvard Art Review, vol. 2 Winter, 1967, pp. 49-50

 

Kozloff, Max.  "New York", Artforum, vol. 6, Dec., 1967, p. 52

Pincus-Witten, Robert.  "New York", Artforum, vol. 6, Dec., 1967, pp. 52- 53

Hudson, Andrew.  "The 1967 Pittsburgh International", Art International, vol. 11, Christmas, 1967,  pp. 57-64

Mellow, James.  "New York Letter", Art International, vol. 11, Christmas, 1967, pp. 49-50

Fried, Michael.  Introduction to "Jules Olitski, Paintings 1963-1967", (Catalogue), Corcoran Gallery of Art, Washington, D.C. 1967

Lippard, Lucy.  Introduction to "Focus on Light", (Catalogue), Trenton, New Jersey State Museum, 1967

Feldman, Anita.  "In the Galleries", Arts Magazine, vol.  Dec., 1967- Jan., 1968, p. 58

Hudson, Andrew.  "On Jules Olitski's Paintings and Some Changes of View", Art International,  vol. 12, Jan. 1968, pp. 31-36

Burton Scott.  "Reviews and Previews:  Jules Olitski at Poindexter Gallery", Art News, vol. 66  Feb, 1968, p. 15

"Olitski Show Opens U. of P. Arts Building", Sunday Bulletin, Philadelphia, Feb. 18, 1968

Donohoe, Victoria.  "King-size Paintings Surging with Color", The Philadelphia Inquirer, Feb,, 25, 1968

Grafly, Dorothy.  "Diverse Styles Reflect the Vast and the Intimate", Philadelphia Bulletin,  Feb., 25, 1968

Krauss, Rosalind E.  "On Frontality", Artforum, vol. 6, May, 1968, pp. 40-46

Tillim, Sidney.  "Evaluations and RE-evaluations:  A Season's End Miscellany", Artforum, vol. 6,  Summer, 1968. pp. 20-23

Kudielka, Robert.  "Documenta 4:  A Critical Review", Studio International, vol. 176, Sept., 1968,   p. 78

Harrison, Charles.  "London Commentaries:  Jules Olitski at the Kasmin Gallery",  Studio  International, vol. 176, Sept., 1968, pp. 86-87

Gouk, Alan.  "Apropos of Some Recent Exhibitions in London", Studio International, vol. 176,  Oct. 1968, pp. 125-126

Perreault, John.  "Art:  Jules Olitski", The Village Voice, Nov. 21, 1968, p. 19

Glueck, Grace.  "Alone at last with a Trend", The New York Times, Dec. 1, 1968, p. 41

Nemser, Cindy.  "In the Galleries:  Jules Olitski", Arts Magazine, vol. 43, Dec. 1968-Jan. 1969, p. 63

Sweeney, James J.  Introduction to "Signals in the '60's", Catalogue, Honolulu Academy of Arts, Honolulu, 1968

Ashton, Dore.  "Esempi Recenti di pittura non oggittiva negrli Sati Uniti", L'Arte Moderna, vol. 13  pp. 94, 114, 1969

Buck, Robert T. Jr. Intro to "The Development of Modernist Painting:  Jackson Pollock to the Present", Catalogue, St. Louis, Mo. Steinberg Gallery of Art  Washington U, 1969

Delahoyd, Mary.  "Some Observations on Concept", In Concept, Poughkeepsie, N.Y., Vassar College Art Gallery, 1969

Greenwood, Michael.  Introduction to "American Art of the Sixties in Toronto:  Private Collection", Catalogue, York Univ., Toronto,  1969

Sheon, Aaron.  Introduction to "The Gosman Collection", Catalogue, Pittsburgh, Pa. Department of Fine Arts, 1969

Solomon, Alan.  "Some Observations about New York Painting", Painting in New York:  1944-1969, Pasadena Art Museum, 1969

Kurtz, Stephen A.  "Reviews and Previews:  Jules Olitski", Art News, vol. 68, Jan., 1969, p. 25

Moffett, Kenworth. "The Sculpture of Jules Olitski", The Metropolitan Museum of Art Bulletin, vol. 27, no. 8, April, 1969, pp. 366-371 (revised and reprinted in  Artforum, vol. 7,  April, 1969,  pp. 55-59

Kramer, Hilton.  "Sculpture:  The Debut of Jules Olitski",  New York Times, April 12, 1969, p. 31

Olitski, Jules.  "On Sculpture", The Metropolitan Museum of Art Bulletin, vol. 1, May, 1969. np

Mellow, James R.  "New York Letter", Art International, vol. 13, Summer, 1969, p. 51

Platt, Susan. "Notes on the Albert Pilavin Collection: Twentieth Century American Art", Bulletin of the Rhode Island School of Design, Summer, 1969, pp. 37-39

Schjeldahl, Peter.  "New York Letter", Art International, vol. 13, Summer, 1969, p. 64

Ashton, Dore.  "New York Commentary", Studio International, vol. 178 July-August, 1969, p. 28

Shirey, David L.  "New York Painting and Sculpture 1940--1970", Arts Magazine, vol. 44,  September-October, 1969, p. 35

Chisolm, Shirley.  "Jules Olitski", in Current Biography, vol. 30, no. 9, October, 1969, pp. 31-34

Radcliff, Carter.  Art Internationa. l November, 1969

Cambell, Lawrence.  "Reviews and Previews", Art News, vol. 68, December, 1969, p. 69

Canaday, John.  "Pleased here, Puzzled There", New York Times, Dec. 25, 1969, p. 25

Feldman, Anita.  "In the Galleries, Arts Magazine, vol. 44, Dec, 1969-Jan., 1970, p. 68

Bailess, Lynn and Donnell, Carol.  "Jules Olitski", In Color, Los Angeles:  U.C.L.A. Art Council,  1970, pp. 36-40

Colt, Priscilla.  Introduction to "Color And Field:  1890-1970", Catalogue, Buffalo, Albright-Knox  Art Gallery, 1970

Geldzahler, Henry.  Introduction to "New York Painting and Sculpture:  1940-1970, Catalogue,  New York, The Metropolitan Museum of Art, 1970

Prokopoff, Stephen S. Introduction to "Two Generations of Color Painting", Catalogue,  Philadelphia, Pa. Institute of Contemporary Art, University of Pennsylvania, 1970

Warrum, Richard L.  Introduction to "Painting and Sculpture Today", Catalogue, Indianapolis, Contemporary Art Society and Indianapolis Museum of Art, 1970 

Wellesley College Museum.  "Jules Olitski", In "Contemporary Painting and Sculpture",  Wellesley, Jewett Art Center, 1970

Rose, Barbara.  "The Spiritual in Art", Vogue Magazine, vol. 155, Jan., 1, 1970, p. 76

Colt, Priscilla.  "Some Recent Acquisitions of Contemporary Painting", The Dayton Art Institute   Bulletin, vol. 28, March, 1970, p. 11

Hilton, Timothy.  "Commentary", Studio International, vol. 180, Sept., 1970, p. 100

Gouk, Alan.  "An Essay on Painting", Studio International, vol. 181, Oct., 1970, pp. 145-148

Fenton, Terry.  "In The Galleries-Toronto:  The David Mirvish Opening Show", Arts Canada,  vol. 27, Dec., 1970, pp. 57-58

Tucker, Marcia.  Essay in the "Structure of Color", Catalogue, New York, Whitney Museum of American Art, 1971

Greenwood, Michael.  "Jules Olitski's Sculpture", Arts Canada, vol. 28, Feb-March, 1971, p. 62

"Ces Douze peintres ont un point Commun", Connaissance des Arts, vol. 229, March, 1971, p. 132

Gruen, John.  "While There's Life...", New York Magazine, March 29, 1971, p. 59

Ratcliff, Carter.  "Review and Previews", Art News, vol. 70, April, 1971, p. 20

Baker, Kenneth.  "New York:  Jules Olitski at Rubin Gallery, New York", Artforum, vol. 9,  May, 1971, p. 74

Prokopoff., Stephen S.  "Color Painting in America", Art and Artist, vol. 6, July, 1971, p. 22

Siegel, Jeanne.  "Reviews and Previews:  Jules Olitski", Art News, vol. 70, Sept., 1971 p. 17

Moffett, Kenworth.  Introduction to "Abstract Painting in the Seventies:  A Selection",  Catalogue,  Boston, Ma. Museum of Fine Arts, 1972

Wilkin, Karen.  Introduction to "Masters of the Sixties", Catalogue, Edmonton, Alberta, Edmonton Art Gallery, 1972

Matthais, Rosemary.  "In the Galleries:  Jules Olitski at Rubin", Arts Magazine, vol. 71, Summer,  1972 p. 56

Seigel, Jeanne.  "Reviews and Previews:  Jules Olitski", Art News, vol. 71, Summer, 1972, p. 56

Bannard, Walter Darby.  "Quality, Style and Olitski", Artforum, vol. 11,  Oct., 1972, pp. 64-67

Zemans, Joyce.  "Olitski:  The David Mirvish Gallery", Arts Canada, vol. 29, Oct-Nov., 1972, p. 67

Carpenter, Kenneth.  "On Order in the Paintings of Jules Olitski", Art International, vol. 16, Dec., 1972, pp. 26-30

Moffett, Kenworth.  "Jules Olitski and The State of the Easel Picture", Arts Magazine, vol. 47,  March, 1973, p. 38

Siegel, Jeanne.  "Olitski's Retrospective:  Infinite Variety", Art News, Summer, 1973, p. 61

Masheck, Joseph.  "The Jules Olitski Retrospective", Artforum, Sept., 1973, pp. 58-60

Carpenter, Kenneth.  "Footsteps of a Master:  The Jules Olitski Retrospective",  Studio International, Sept. , 1973, pp. 77-79

Kramer, Hilton.  "Jules Olitski:  A Sectarian Scenario", New York Sunday Times, Sept., 16, 1973

Hess, Thomas.  "Olitski Without Flattery", New York Magazine, Oct. 11, 1973

Littman, Sol.  "World Famous Art Masters Open Exhibits in Toronto", The Toronto Star, Oct 12, 1973

Geelhaar, Christian.  "Jules Olitski", Kunstforum International, Oct-Nov., 1974, pp. 113-121

Ellenzweig, Allen.  "Jules Olitski", Arts Magazine, June, 1975, p. 10

Hudson, Andrew.  "Jules Olitski:  Life Drawings", Art International, vol. XIX/7 Sept. 15, 1975,  pp. 39-49

Carmean, E.A., "Olitski, Cubism and Transparency", Arts Magazine, Nov., 1975, p. 53

Micha, Rene.  "Dzubas, Olitski, Poons", Art International, vol. XXL/2, Mar-April, 1977, pp. 45-47

Frackman, Noel.  "Jules Olitski", Review, Arts Magazine, June, 1977, p. 29

Glueck, Grace.  "The 20th Century Artists Most Admired by Other Artist"Art News, Nov., 1977,  p. 78

Museum of Fine Arts, Boston.  The Museum Year:  1977-1978, p. 25

Olitski, Jules.  "First Chapter (A Short Story)", Partisan Review/2, vol. XLV, no. 2, 1978, pp. 232-247

Pischel, Gina. "A World History of Art, Painting, Sculpture, Architecture, and Decorative Arts", Second Revised Edition, p. 720. Newsweek Books, New York, 1978

Perreault, John.  Selected 20th Century American Nudes, Catalogue for the Exhibitions,  Harold Reed Gallery, New York, Feb-March, 1978

Sandler, Irving.  The New York School:  Painters and Sculptors of the Fifties, New York,  Harper & Row, 1978

Marshall, Neil.  “The Paintings of Jules Olitski”, essay for the catalouge Jules Olitski New Paintings, Andre Emmerich Gallery, New York, Mar 18-Apr 5, 1978 pp 4-15

Raynor, Vivien, "Art:  Jules Olitski as Post-Raphaelite", New York Times, March 31, 1978

Ashbery, John.  "Cheering Up Our Knowing", New York Magazine, April 10, 1978, pp. 69-71

Taylor, Robert.  Review, The Boston Sunday Globe, April 16, 1978

McEwen, John.  Spectator, April 22, 1978 (England)

Maloon, Terence.  Time Out, April 28, 1978 (England)

Frackman, Noel,.  Review, Arts Magazine, June, 1978, p. 36

Schjeldahl, Peter.  Artforum, Review, Summer, 1978, p. 69

Schwartz, Ellen, Review, Art News, Summer, 1978, p. 198

Moffett, Kenworth.  "Olitski:  New Sculpture", Art International, vol. XXII/3, 1978, pp. 8-21

Welish, Marjorie.  Art in America, vol. 66 no. 5, Sept-Oct, 1978 pp. 119-120

Carpenter, Kenneth.  "New Works in Clay at the Edmonton Art Gallery", Artmagazine,  Nov-Dec., 1978, pp. 40-43

Baigell, Matthew.  "Dictionary of American Art," New York:  Harper & Row, 1979, pp. 259-260

Clark, Garth, and Hughto, Margie. "A Century of Ceramics in the United States, 1878- 1978",  New York:  E.P. Dutton in assoc with Everson Museum of Art,  Syracuse, N.Y., 1979

Moffett, Kenworth. Introduction to Color Abstractions:  Selections from the Museum of Fine Arts, Boston, (exhibition catalogue) Federal Reserve Bank of Boston Display Area, Boston,  Ma., 1979

Sandler, Irving.  Companion Essay to catalogue, Images of the Self, Hampshire College

Gallery, Amherst, Ma., 1979

Yard, Sally.  Introduction to Images of the Self, (catalogue), Hampshire College Gallery,  Amherst, Ma., 1979

Tallmer, Jerry.  "A Blindfold Lifted to Light", New York Post, April 28, 1979, p. 16

Edmonton Art Gallery, Edmonton Art Gallery Bulletin, Alberta, Canada, May-June, 1979, Cover, p. 1

Five in Florida:  Recent Work by Anuskiewicz, Chamberlain, Olitski, Rauschenberg and Rosenquist, (exhibition catalogue) SVC/Arts Gallery, University of Florida, Tampa.  1980

Friedman, Hoffman.  Aspects of the 70's:  Painterly Abstraction, Brockton Art Museum, Brockton, Ma., 1980 pp. 2, 5, 6

L'Amerique aux Independants, Societe des Artistes, Grand Palais, Paris, 1980, pp. 37, 57, 92

Perreault, John.  (Essay) Selected 20th Century American Self Portraits, Harold Reed Gallery,   New York, 1980

Rosenzweig, Phyllis.  The Fifties:  Aspects of Paining in New York, Hirshhorn Museum and   Sculpture Garden, Washington, D.C., 1980, p. 106

Rodriquez, Joanne Milani.  " 'Five in Florida' Displays Distinct Art Personalities",  Tampa Tribune-Times, Jan. 6, 1980

Muehlenbachs, Lelde.  "Jules Olitski at the Edmonton Art Gallery", Artmagazine, 4,  Feb-March, 1980, pp. 51-52

Tatransky, Valentin.  Review, Knoedler Gallery.  Arts Magazine, May, 1980, p. 34

Twogood, William Storey. "Jules Olitski:  A View From the Ground", Arts West, May-June, 1980,  p. 14

Pleynet, Marcelin.  "Jules Olitski:  The Challenge of Abstraction", Connaissance des Arts, U.S.   Edition, Oct., 1980, pp. 66-71

Smith, Roberta.  "Report From Washington:  The '50s Revisited, Not Revised", Art in America,   Nov., 1980, pp. 47-51

Fourcade, Dominique. (essay), Frankenthaler/Louis/Noland/Olitski:Depuis La Couleur, 1958-1964, Bordeaux, France: Centre d'Arts Plastiques Contemporains, 1981

Moffett, Kenworth. Jules Olitski, New York:  Harry N. Abrams, 1981, monograph, 242 pages

Selz, Peter. Art in Our Times: A Pictorial History 1890-1980, NY, Harry N. Abrams, 1981, p. 457

Johnson, Ellen H. (editor) American Artists on Art from 1940-1980, New York:  Harper & Row,  Publishers, 1982, page 50

Halasz, Piri. "Jules Olitski:  The Golden Mean", Arts Magazine, 5/84 

Gruen, John.  "Artist's Dialogue: Jules Olitski, The Power of Play", Architectural Digest, October 1986, pp. 58, 62, 66.

Olitski, Jules.  (essay) The Courage of Conviction, edited by Phillip L. Berman, The Center for the Study of Contemporary Belief, Dodd, Mead & Co.,  New York, 1985, pp. 144-152

Gibson, Eric.  "Gold", The New Criterion, April 6, 1986

Rand, Harry. "Jules Olitski's Dream Maker", Arts Magazine, March, 1987, Vol. 61, No. 7,  pp. 30-31

Tillim, Sidney.  "Jules Olitski's Dream Maker", Art in America, April, 1987, Vol. 75 No. 4,  pp. 214-216

Enders, Alexandra.  "Jules Olitski", Art & Antiques, vol. VI, No. III, March 1989, p. 35

Olitski, Jules. (essay) The Courage to Grow Old, edited by Phillip L. Berman, The Center for the Study of Contemporary Belief, Balentine Books, New York,  Oct. 1989, pp. 15-19

Wilkin, Karen "The Prints of Jules Olitski", essay for exhibition catalogue raisonne 1954-1989 Associated American Artists, New York, NY traveling exhibit Oct, 1989-April 1991 pp 9-15

Perl, Jed.  "The Legend Business", The New Criterion, Jan., 1990, vol. 8, No. 5, pp. 57-62

Denson, G. Roger.  "Jules Olitski, The Relevance of The Last Modernist " Flash Art, Jan. 1990 pg 120 (repro Wand & Exact Origins)

Arts Magazine, Jan 1990 (review section reviewer unknown) repro Wand pg 95

Kazanjian, Dodie.  "On Target", Vogue Magazine, February, 1990 pp. 320, 323-328, 352-353

Jimemez, Javier Lopez.  "Jules Olitski en Espana, El Fluir Abstracto De Los Clasicos" Galeria Antiquaria, vol. Viii, 1990 no. 78 pp.66-69

Pepich, Bruce W.  "Jules Olitski", Art Gallery International, April, 1990 pp. 14-18 (repro Jordan Wall-4, Prodigal Sin-3, 6th Hope, Kisthene's Plains-5, Wing Lift, Beauty of Lauren, photo of artist by Dan Forer, photo of artist by Helen Miljakovitch)

Vincent, Isabel.  "Huge Star of David Dedicated to 'Life", Toronto Globe and Mail, April, 23rd, 1990 

Hilton, Tim. "Laying it on Thick", The Guardian, Oct. 31, 1990

Gruen, John. "Artist's Dialogue:  Jules Olitski, Abstract Pursuits in New Hampshire",

Architectural Digest, June, 1991, vol. 48 no. 6 pp. 56, 60,64

Kohen, Helen L. "Stars in Florida Shine on Transplanted Artists", The Miami Herald, Feb. 23rd, 1992

Rose, Barbara.  "Paradise Regained: Jules Olitski's New Paintings"  essay for exhibition catalogue Jules Olitski Recent Paintings Salander-O'Reilly Galleries, Inc in
    Association with Canal Arts Corp New York, NY April 7-May 1 1993 pp 5-11

Bannard, Darby.  "Jules Olitski at the New Gallery", essay for exhibition catalogue Jules Olitski New Paintings, The New Gallery Univ of Miami, Miami, Fl Feb 25-March 25, 1994 p. 2-5

Danto, Arthur C. "Art After the End of Art", Art Forum International, April, 1993

Kimmelman, Michael.  "Three 60's Art Stars Rise and Shine Again", New York Times, May 5th, 1994 pp. C15, C17

Wilkin, Karen.  "Color Painting of the 1960's"  Architectural Digest, Aug., 1994 pp. 76-80, 140

McClintock, Jack.  "Finger Painter-Is Jules Olitski America's Greatest Living Artist",  The Magazine of South Florida, Aug. 14th, 1994, Sunday Magazine p. 1

Kotz, Mary Lynn. "Hillary, Jules & 'Julius'", Art News, Oct. 1994, p.27

Smith, Roberta.  "Jules Olitski, True to His School", New York Times, Oct. 21, 1994, p. C29

Karmel, Pepe.  "Jules Olitski" The New York Times, Dec. 29, 1995 p. C28

Karmel, Pepe.  "Painterly Drawings Meet Sculptural Drawings, but Which Are Which?"   The New York Times, Feb. 2, 1996 p. C17 (repro of Martita)

Diehl, Carol.  "Jules Olitski, Andre Emmerich, Long Fine Art" ARTnews, March, 1996, p. 112

Fuld, Alice.  "Sunrises, Sunsets- Olitski Returns to the Thorne"  The Keene Sentinel, June 6, 1996 pp. 17, 22 (repro of Bear Island Night and Eden Mist and Sethos Four)

Olitski, Jules.  "Drawing:  Notes From A Student", Drawing, The International Review, pub by The Drawing Society vol. XVIII, No. 1 Summer 1996 pp 16-18 (repro Head of a Slave 1936, Reflecting, 1996 Self Portrait, 1995)

Kazanjian, Dodie.  "Olitski's Surprise", The New Yorker, July 29th, 1996, p. 72  (repro of Pink Dawn)

Harrison, Eric. "Art by Leaps and Bounds" Arkansas Democrat Gazette, Nov. 3, 1996 pp 1-2E (repro Divine Wiggle, Inside Out Again)

Harbour, Alison B. "Russian-born Featured Artist Found Life's Work in Free Class"  The Sentinel- Record, Hot Springs National Park, Ark Nov. 7, 1996 pp 1-2

Goldberg, Barbara, Editor  The First Yes pub. by Dryad Press, Tacoma Md. 1997  Cover Art (repro of Pink Dawn)

Dellolio, Peter.  "Jules Olitski: New Monotypes",  NY Arts Magazine,  Issue 10/May'97 p.18 (repro of Sea At Ursula III)

Glueck, Grace.  "172nd Annual Exhibition"  New York Times, June 13, 1997 p. B20

Hodecker, Stephen.  "A Conversation With Jules Olitski", New Hampshire Images, Summer, 1997,  pp 6-11 (repro on Cover of Sea Legend, repro About the Legend, Before Sunrise,  Touching a Bison,  Voyage to Ischia, Lake Shimmy Shimmy)

Dagostino, Mark.  "An Adjustment in Focus", Boston Sunday Globe,  Aug 17, 1997 p. NH 1, NH 6,  (repro 1 photo of the artist and 2  in studio)

Craven, Robert.  "Jules Olitski, The Artist Reinvents Himself", Art New England,  Aug/Sept. 1997  pp 28, 29. (repro of Arcadian Sea, Luminous Dawn (mis titled Sisters Island),   Ancient Sea and photo of the artist)

Mauck, Erik P. "Mill Exhibit Focuses on Landscape Artist's 'New Period'" The Citizen, Laconia, NH Sept. 8, 1997 pg. 4 (repro Jules signing poster with Dr. Vazifder)

Hamm, Christine. "Closed Eyes Reveal Exquisite Vision, Acclaimed artist calls Lake Region home" Concord Monitor, Sept. 18,1998 Arts & Entertainment pp D1, D5    (repro Secluded Inlet, Out of The Valley)

Caldwell-Hopper, Kathi, "World Renowned Artist Paints at his Winnipesaukee Home", The Laker,  Wolfeboro Falls, NH) Sept 22, 1997 Vol 14 #19, pp 4-5 (photo of the artist)

Markham, Pamela.  "Jules Olitski Landscapes", Art New England, Oct/Nov, 1997 p 63

Litt, Steven. "New Olitskis Pastel and Pretty", The Plain Dealer, Youngstown, Oh.  Sunday Oct  5th, 1997 p. 3. (repro Phantom Shore, Island Dawn)

Krienke, Mary & Fusselman, Amy. "Edelman's Back on Corporate and Collecting? Track" ARTnewsletter, Jan 27, 1998 Vol XXIII, no.11, pp 4-5 (Olitski mentioned)

Glueck, Grace.  "During a 60's Interlude, Color Was the Content", The New York Times, Jan 30, 1998 pg B37. (repro "Demikovsky Green")

Greenleaf, Ken.  "There's A Different Jules Olitski On the Art Landscape",  Maine Sunday  Telegram , Feb. 1, 1998 pg 3e, Audience ( repro Claude's Tree)

Schjeldahl, Peter.  "Greenberg Again - 'The Green Mountain Boys'", The Village Voice, Feb. 3, 1998

Solomon, Alan. reprint from Vogue, Aug. 1966 "The Green Mountain Boys Revisited" Bennington Alumni Magazine Spring 1998 Vol 30 no. 1 pp 24-28  (repro Jules in studio with Yaksi Juice (printed backwards)

Nikolopoulos, Daphne "An Eclectic Collection"  Florida Design  March 5, 1998, Vol 7 No 4, pg 192   Anne Ruben, Interior Design (repro Lauren Legend)

Marshall, Barbara "High Drama On The Bay", Florida Design  March 5, 1998, Vol 7 No 4 , pg 206  Daniel Cuevas Interior Design, (repro Fourth Heaven)

Harrington, Dianne Benson "Modern Meets Modern In Miami"  Florida Design March 5, 1998, Vol 7  No 4 , pg 223   Robert Noakes Interior Design,  (repro of unidentified spray)

Gopnik, Adam.  "The Power Critic , Clement Greenberg... ruled with his pen-and his fists" The   New Yorker, March 16, 1998 pp 70-78  (repro pg 73 Prince Patuszky Red in Greenberg apt)

Rimanelli, David.  "'The Green Mountain Boys' Andre Emmerich"  Art Forum International April,   1998 pg 111 (repro Goldilocks)

Halasz, Piri.  "Green Mountain Boys, Anthony Caro, Paul Feeley, Kenneth Noland, Jules    Olitski",  NY Arts Magazine  #20,  April, 1998 pg 15

Dorsey, John.  "Reading Between The Lines"  The Sun, Baltimore, April 6, 1998 Today Section pg   5D (repro Everglade Solstice)

Dennis, Gary.  "Day of Flourishes At KSC"  The Keene Sentinel,  May 18 1998 , Pg 1

Collings, Matthew.  It Hurts -New York Art from Warhol to Now  229 pp.  published by 21, London  1998, reprint 1999 (repro of artist with Greenberg p. 96) "Jules Olitski pp 102-107 (repro  Green,  1962 p 102,  Rapture Veil, 1993 p 104, Irkutsk Passage, 1997 p 106)

Kent, Sarah.  "Jules Olitsky - Bernard Jacobson"  Time Out Jan 27-Feb 3, 1999 p. 46 (repro Free Flavour)

 "Artists' Portraits-A Gallery Of The Century 's Brightest Talents" Architectural Digest, April,   1999 p. 124 (repro of artist)

Deia.  "Olitski, Uno De Los Grandes Maestros de la Abstraccion" Expone en Madrid

Serraller, Francisco Calvo. "La Abstraccion Pospictorica De Olitski",  EL  PAIS , May 1, 1999 pg. 18 (repro  Orange Flash, 1995)

Cereceda, Miguel.  "Jules Olitski:  Pintura Para El Tacto"  ABC Culture , May 8, 1999 pg 41 (repro   The Kristina Mystery, 1988)

Barnatan, Marcos-Ricardo.  "Olinsky y el Lenguaje del Color" (sp).  El Mundo, May 8, 1999 pg     (repro The Kristina Mystery w/ viewer)

Noja, Ris.  "Jules Olitski Pintura Sin Voluntad",  Antiquaria, May 12, 1999 pg. 59 (repro Tuan   Pleasure-One 1977 and The Kristina Mystery, 1988)

"Jules Olitski Texturas"  El Punto De Las Antes, May 27, 1999 (repro Tuan Pleasures-One 1977)

Hamm, Christine. "Lake Views- Olitski Opens at McGowan",  Concord Monitor, Cover Arts & Entertainment section D  Aug. 12, 1999 (repro. Reflected Island, 1998 and photo of artist)

Carbone, Ray.  "Painting to Abstraction"  Foster's Sunday Citizen, Aug 29th, 1999 Cover Arts &  Leisure section D, pg 5d.  (repro. Swoop, Egyptian Shimmy, Temptation Temple, photo of Bear Island House 2 photos of artist)

Fuld, Alice.  "Olitski Show s Off His Energy, Passion" The Keene Sentinel,  Sept. 16th, 1999 Cover Arts and Entertainment and pg 27(repro. Danae Waiting, Rogues Bay)

Collings,  Matthew.  “Jules Olitski interviewed-What’s it like to be forgotten?” The Art Newspaper, International Edition, Vol. x no 97 Nov, 1999 pg. 40  (repro Violet Passage

Birtolo, Janina.  "An Artful Season"  Gulfshore Life, Nov 1999 pp 48-55 (repro Code of Shem, 1990   First Divine Wiggle, 1999. pg. 51)

Dorr, Suzy.  "Enchanting Images, Phil Updates" "N" The Magazine Of Naples  Dec. 1999 pp 32-33 (repro Source Pattern Play, 1989 pg 32, Abraham and Isaac, 1964 pg 33)

Hall, Jacqueline. "Abstractions To a Point", The Columbus Dispatch Dec, 19, 1999 
     (repro Mangrove Grass, Surf and Rocks, Swim at Dawn, Abandoned Dreams) pg 10H

Lilliefors, James.  "Five Decades of Jules Olitski",  The Phil, Naples, Fl. Dec, 1999 pp 15-20 
     (repro  Code of Shem, 1990, Pink Ho, 1965, Metal Plopper, 1991, Venetian Paradise, 1994)

Collings, Matthew.  This Is Modern Art  , 271 pp. published by Weidenfeld & Nicolson, London  1999,  "Jules Olitski pp 115-117 (repro High A Yellow, 1967 p.116, Envisioned Sail, 1998 p.117)

Olitski, Jules, and Wetherell, W.D.  Small Mountains, An Endeavour Book of Terra Nova  Productions, Hanover, NH , 2000.  104 pgs. limited Ed.16 Tipped in reproductions :  Looking Towards Mount Moosilauke, Mount Moosilauke View,  Looking Towards Mount Cardigan , Mount Cardigan View,  Looking Towards Ragged Mountain, Ragged Mountain View,  Looking Towards Black Mountain, Black Mountain View, Looking Towards Smart Mountain, Smart Mountain View, Looking Towards Bear Mountain, Bear Mountain View, Looking Towards Monument Mountain, Monument Mountain View,  Small Mountains, Small Mountains Beauty

Smee, Sebastian.  "Seduced by smears"  Sydney Morning Herald, May 13, 2000 (repro Endless, 1999)

Genocchio, Benjamin.  "Future hero... Reminder of Past" The Australian, May 22, 2000 Pg 16 (repro Endless, 1999)

Wetherell, W.D. & Olitski, Jules.  "Excerpts from Small Mountains" Connecticut Magazine , July,  2000 vol 63, no. 7, pg 128, (repro  Looking Towards Ragged Mountain)

Barlow, Rich.  "In Every Way A Beautiful Book" a review of Small Mountains. Valley News , Laconia, NH pg E1 July 16, 2000 (repro Mount Moosilauke View, 1999,  Mount Cardigan   View, 1999)

Olitski, Jules.  "My First New York Show"  Modern Painters, London Autumn, 2000 pg 58-62 (repro Demikov-One, 1957, Demikov- Two, 1957,  Whore of Babylon, 1958, Moliere's Chair-Three, 1959,   Late Madness of Wentworth, 1958,  Deep Socket, 1999, Rude Passage, 2000, 
 Charge of Angels, 2000) My First New York Show first published in 1989 in Partisan Review

Marshall, Neil.  "Jules Olitski, The Recent Paintings", Neilmarshall.com Journal, Sept 19, 2000

Halasz, Piri.  "A Senior and a Junior"  New York Art Ints. ed. vol 5 #10 Oct 2000,  pg 13 (repro  Celebrations: Yellow and Blue, 2000)

Smith, Roberta.  "Art in Review, Jules Olitski, Ameringer Howard Gallery"  The New York Times,  Oct 13, 1000  Section B pg 42

Marshall, Neil. "Responding to Olitski" gallery@Neil Marshall.comJournal Entries,Oct 13, 2000

 

Halasz, Piri.  " Retro and Pioneer",  (An Appropriate Distance) From The Mayor's Doorstep,   No. 28, Oct. 15, 2000 pp 10-12 

Brennan, Michael.  "Jules Olitski At Ameringer Howard"  artnet.com Oct, 18, 2000

Kuspit, Donald.  "Jules Olitski, Ameringer/Howard Fine Art"  Artforum Dec, 2000  vol XXXIX no.   4, pg 146-147    (repro Origins: Arezzo, 2000)

Wetherell, W.D. & Olitski, Jules.  "Excerpts from Small Mountains" Yankee Magazine . Dec, 2000,  pp 68-73, 115 (repro  Looking Towards Mount Cardigan, Looking Towards  Black  Mountain, Looking Towards Mount Moosilaukee)

Rosenblum, Robert.  "Best of 2000" Artforum Dec, 2000 vol XXXIX  no. 4 , pg 124  (repro Celebrations:   Orange)

White, Kit.  "Jules Olitski Ameringer/Howard"  Artnews Jan, 2001 pg  (repro  Celebrations:   Orange, 2000)

Vincent, Stephen.  "The Flat Pack", Art & Auction  Jan,  2001, vol  XXIII no 1.  pp 90-97 (repro of   artist pg 90, repro Tin Lizzie Green as horizontal pg 94)

Temin, Chritine.  "True Colors On Display at MFA", The Boston Globe, Jan 12, 2001 Section D pp 1,   12-13 (repro Tin Lizzie Green, 1964)

Ebony, David.  "Jules Olitski At Ameringer Howard", Art In America, Mar, 2001,  vol 89 no. 3, pp   134-135 (Repro Last Judgement, 2000)

Marshall, Neil.  "Abstraction and Plyphony",  gallery@Neil Marshall.com  Journal Entries,  Mar   21, 2001

Coble, Sarah FK.  "Intense Curiosity", Naples Illustrated, April/May, 2001 pp 56-59 (Repro Third Day, 2000, Sea Temptation, 2000 (titles switched, Third Day printed upside down)

Wilken, Karen and Guenther, Bruce. "Clement Greenberg, A Critic's Collection" Portland Art  Museum and Princeton University Press,  Princeton, NJ & Woodstock Oxfordshire, UK, 2001.  190 pgs. Olitski on pp.2, 63-69, 162-167 (repros: The Prince Patutsky Red, 1962, Chinese Dinner Girl, 1965, Sixth Caliph, 1965, Green-Nine, 1966,  Steamed, 1968, Loosha-Five, 1970, Fifth Omsk Pleasure, 1972, Beauty Mouth-Twelve, 1972, King David's  Letter-Three, 1974,   L'Oubradou, 1974, Jehovah Cover-Five, 1975,  Love For Brothers, 1982, Noble Regard, 1989, Seated Nude, 1965, Nude Lying On Her Right Side, 1965, Untitled (Rose) 1967, U, Graphic Suite 5 prints 93/150, 1970

Van Siclen, Bill.  "Jules Olitski at Virginia Lynch Gallery" ArtNews, Oct 2001 p. 178 (repro Sail in an Ancient Sea)

Olitski, Jules. "How My Art Gets Made", Partisan Review, Fall 2001 Volume no. 4  pp 617-623

 

Wilkin, Karen.  “Life After Formalism” Art In America, Nov, 2001 pp 110-115, 159  (repro Origins: Omsk and Moses Path-Violet and Green )

Olitski, Jules.  "Jules Olitski On Himself",  Modern Painters "Writers on Artists",  Editor in Chief Karen Wright.  DK Publishing, London, New York, Delhi, Sydney, Munich, Paris and  Johannesburg  352 pages, 2001.  Olitski pp 310-319 (repro Embarking, 2001, (early version), Demikov-  One, 1957, Late Madness of Wentworth, 1958, Whore of Babylon, 1958, Moliere's Chair-Three, 1959, Third Day, 2000, Celebrations: Pink and Blue, 2000, Deep Socket, 
1999, Charge of Angels ,2000, Origins: Snovsk, 2000,  The First Day, 2000,  Demikov-Two, 1957, Rude Passage, 2000)

Weiner, Julia.  "Abstract Fab", Jewish Chronicle, April 12, 2002 (UK) p.54  (repro Joys of Paradise: Six,  2001 & photo of artist) 

Long, Robert. "Olitski And Avery; Still Life Photos", The East Hampton Star, April 25, 2002 p.1

Gover, Michael. "International Reviews; Jules Olitski, Bernard Jacobson, London", ArtNews,  June, 2002 p. 130 (repro Bathsheba Reverie-Orange and Blue, 2001)

Van Siclen, Bill.  "At 80 Olitski Lets Color Have Its Way", The Providence Journal; Live This   Weekend, Aug 15-18, 2002 p. 12 (repro Romance Touch, Red 2002, Winnipiseogee Vision, 2001)

Belton, Robert.  Editor  Art:  The  World of Art, From Aboriginal to American Pop, Renaissance   Masters to Postmodernism, Flame Tree Publishing,  Foundry Creative Media Co. Ltd. London  UK, 512 pages 2002.  p. 376 (repro Non-Stop, 1965) (factual errors in text)

Gamwell, Lynn.  Exploring the Invisible:  Art, Science, and The Spiritual Princeton Univ. Press,  Princeton, NJ,  344 pages. 2002 pp 302-5  (repro Moses Path-Violet And Green, 2001 p 305)

Marshall, Neil.  “Olitski After Greenberg “ gallery@Neil Marshall.com  Journal Entries,  Oct  27, 2002

Humblet, Claudine.  La Nouvelle Abstaction Americane 1950-1970  Skira, Milan, Italy, 2003   2,069 pp in french  “Jules Olitski” pp 1385-1437  (Repro  44 paintings from 1960-1994) 

Wilkin, Karen. "At the Galleries", Partisan Review, Winter 2003 Vol XX, No. 1 pp 113-124

Dannatt, Adrian.  “Galerie Huit:  American Artists in Paris 1950-52 at Studio 18”, Art in America,   May, 2003 p 145

Poster, Lauren.  "Jules Olitski ~ The New Hampshire Exhibits Autumn, 2003" Four Forty, Marlboro, VT 2005. 196 pages 115 color plates

Walsh, Jim. "Paths" "Jules Olitski ~ The New Hampshire Exhibits Autumn, 2003"  Four Forty, Marlboro VT.  2005 pp 6-13

Belz, Carl.  "Jules Olitski's Ongoing Present" essay for exhibition catalogue Jules Olitski-Matter Embraced Paintings 1950's and Now Knoedler & Company, New York, NY Sep 14-Nov 5, 2005 pp 4-10

Sachs Samet.  Jennifer.  "When Talking with Olitski" New York Sun, April 17, 2006

Fried, Michael.  "Jules Olitski,"  Artforum International,  vol. 45, no. 8, 2007. p. 55. 

Kleeblatt, Norman.  "A Culmination of Contradictions: Jules Olitski's Last Decade" essay for exhibition catalogue Jules Olitski - The Late Paintings - A Celebration,  Knoedler & Company, New York, NY Nov 8, 2007- Jan 5, 2008

Wilkin, Karen.  "Jules Olitski's late paintings,"  Hudson Review,  vol. 61, no. 1, 2008. pp. 172-177. 

Moos, David.  "Jules Olitski:  Color Situation", essay for exhibition catalogue, Jules Olitski - Circles Embraced- 1959-1964,presented in collaboration by Hackett Mill, San Francisco, Ca  July 9 - Oct 1, 2010 and in the Fall of 2010 at FreedmanArt, New York, NY

deLima Greene, Alison.  "Jules Olitski: Color Into Light", essay for exhibition catalogue, Revelation: Major Paintings by Jules Olitski  publishd by the Kemper Museum of Contemporary Art, 2011  

Carmean, E.A. Jr. "Jules Olitski: Making Things Right"essay for exhibition catalogue, Revelation: Major Paintings by Jules Olitski  publishd by the Kemper Museum of Contemporary Art, 2011 

Wilkin, Karen. "Strange, New, Wonderful"essay for exhibition catalogue, Revelation: Major Paintings by Jules Olitski  publishd by the Kemper Museum of Contemporary  Art, 2011 

Reichsman, Andy and Purdie, Kate. "Jules Olitski, Modern Master" 22 minute film produced by Ames Hill Productions in cooperation with the Olitski Family Estate, Marlboro, Vt.  2011

Miller, Leigh Anne.  "The Lookout: A Weekly Guide to Shows You Don't Want to Miss,"  Art in America Magazine,  June 21, 2011.

Judkis, Maura.  "Revelation: Major Paintings by Jules Olitski,"  The Washington Post,  Friday, October 12, 2012.

Wecker, Menachem.  "Painter Jules Olitski Enjoys a Second Life,"  The Jewish Daily Forward,  May 31, 2012

Bennitt, Ami.  "Olitski Explained in the 21st Century" Artscope, Nov/Dec 2013

Halasz, Piri. "Happy Medium" (An Apropriate Distance) From the Mayor's Doorstep, Nov 30, 2013

McQuaid, Cate. "Playfulness from late painter Olitski" Boston Globe, Dec 10, 2013

Genocchio, Benjamin "In Priase of Unfashionable Art" Artnet News March 28, 2014

(repro Eternity Domain)


Interview with Lauren Olitski Poster  "Jules Olitski Expect Nothing, Do Your Work, Celebrate"  Artsy Editorial April 8, 2014

Hodara, Susan.  "At Vassar College, Canvases So Big They Are Seldom Seen"  New York Times February N.Y. / Region | Arts | Poughkeepsie Feb. 13th, 2015

Carmean, E.A. Jr Wecker, Menachem.  "A Memorial That Knows Its Biblical History" The Wall Street Journal  Sept 22, 2017

Halasz, Piri.  "Climax to an Eveloution: Caro & Olitski" (An Apropriate Distance) From the Mayor's Doorstep, Sept 29, 2017.

Quemin, Alain. "Anthony Caro / Jules Olitski les années 70 -80 " La Gazette Drouot - March 2019

Mathieu. Romain. "Anthony Caro-Jules Olitski", Art Press, June 2019

Halasz, Piri. "OLITSKI'S STUNNING "CORE" AT YARES ART

(An Apropriate Distance) From the Mayor's Doorstep January 4, 2021

Wilkin, Karen.  "Jules Olitski in New York" On “The Fullness of Color: 1960s Painting” at the Solomon R. Guggenheim Museum & “Jules Olitski: Color to the Core” at Yares Art, New York.

The New Criterion, January 2021

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